music-notes.txt

1. C - Dm => C - C#dim7(A7) - Dm; F - G => F - F#dim - G
2. minor, half note down... michelle the beatles
3. 4736251 + leading bass 1765.., secondary domiant
4. passing chord
5. V7 half note down... C - Bb7 - A7 - Ab7 - G7 - any major
   reason: multiple dominant fuzz the tonality
6. mode - color
   minor dorian
   major lydian
   dominant phrygian-dominant
   画 > 和弦
   动画 < 音乐
7. tritone sub,  Dm - G => Dm - Ab7 - G
8. secondary domiant, IIIb, II = iv#dim, iidim = iv, v, VIb, VIIb


todo:
Dm - G => Dm - Ab7 - G
V7 half note down... C - Bb7 - A7 - Ab7 - G7 - any major
???如何不违和的跳出调性？ G7 - any major | G7 - any major(6b 7b 1)
dominant phrygian-dominant - mark levin
2 5 4m 1
2 5 6b 1
2 5 4m 5m 1
2 5 6b 7b 1
2 5 6 5/7 1
2 5 any key(6b 7b 1)
??1 2M(4#dim) 4(4m)
??6543 => 62M(4#dim)43
?? think in 3b? 1 4m 7b7 3b 2 5 1

-------------------

lydian: IV-V  为什么 VIb VIIb 科技感，因为突然跳出调性，建立了 VIb 主音感
mixolydian: V-IV V-ii
dorian: ii-V
phrygian: III-IV
locrain: dim vii-


lydian: 1  2 3  4# 5  6  7
        M7 7 m7 -7 M7 m7 m7
I - II/I (1 2 4# 6) => (1 4#)
1 4# (simpson microsoft)
-----------------------------------
mixolydian: 1 2  3  4  5  6  7b
            7 m7 -7 M7 m7 m7 M7
I - v/I (1 5 7b 2)
I7 - v (frequently used)
I - VII
I7 - VIIbM7 - IVM7 (sweet home alabama)
I - vi - VIIb - v
1 3 7b
-----------------------------------
dorian: 1  2  3b 4 5  6  7b 
        m7 m7 M7 7 m7 -7 M7
i - IV7/i
1 3b 6
-----------------------------------
aeolian: 1  2  3b 4  5  6b 7b
         m7 -7 M7 m7 m7 M7 7
1 3b 6b (X档案)
-----------------------------------
phrygian: 1  2b 3b 4  5  6b 7b
          m7 M7 7  m7 -7 M7 m7
i - vii/i
1 2b
phrygian domiant:
I - IIb
-----------------------------------
locrian: 1  2b 3b 4  5b 6b 7b
         -7 M7 m7 m7 M7 7  m7
i- - iii/i
1 3b 5b dim